Quinten Matsys Collection

Portrait of a Man Holding a Rosary, 1510-1520. Creator: Unknown
Portrait of a Man Holding a Rosary, 1510-1520

Quintin Metsys, The Blacksmith of Antwerp - the Portrait, 1857. Creator: Cheetham
Quintin Metsys, The Blacksmith of Antwerp - the Portrait, 1857. Imaginary scene where Master Van Twylt admires a portrait of his daughter Alyt painted by Quentin Matsys (1465-1530)

Christ Carrying the Cross, c.1510-c.1515. Creator: Quentin Metsys I
Christ Carrying the Cross, c.1510-c.1515

Virgin and Child, c.1525-c.1530. Creator: Workshop of Quinten Metsys
Virgin and Child, c.1525-c.1530

Portrait of Desiderius Erasmus, after c.1535. Creator: Unknown
Portrait of Desiderius Erasmus, after c.1535. Copy after Quinten Massijs

Painting of the Madonna and Child by Quentin Metsys belonging to George Schulein, 1927 Creator: Quentin Metsys I
Painting of the Madonna and Child by Quentin Metsys belonging to George Schulein, 1927

Christ, after Dirck Bouts. Creator: Unknown
Christ, after Dirck Bouts

Quintin Metsys, 1857. Creator: Cheetham
Quintin Metsys, 1857. Portrait of Flemish artist Quentin Matsys (1466-1530). There is a tradition alleging that he was trained as an ironsmith before becoming a painter

Portrait of a Man with a Pink, 1500 / 10. Creator: Quentin Metsys I
Portrait of a Man with a Pink, 1500/10

The Adoration of the Magi, 1526. Creator: Quentin Metsys I
The Adoration of the Magi, 1526

Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I
Portrait of a Woman, ca. 1520

The Moneylenders, c1515, (1912). Artist: Quentin Metsys I
The Moneylenders, c1515, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

The Moneylender and his Wife, 1514. Artist: Quentin Metsys I
The Moneylender and his Wife, 1514. Painting housed in the Louvre, Paris. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Head of Christ, c15th century, (1905). Artist: Quentin Metsys I
Head of Christ, c15th century. From The Connoisseur Vol XL [Otto Limited, London, 1905.]

St Mary Magdalene, (1927). Artist: Quentin Metsys I
St Mary Magdalene, (1927). Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium. A print from Flemish and Belgian art 1300-1900

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

The Misers, c1480-1530 (1843). Artist: J Jackson
The Misers, c1480-1530 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
Quentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)

The Adoration of the Magi, 1526. Artist: Quentin Metsys I
The Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York

Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist
Paracelsus Aracelsus (Theophrastus Bombastus Von Hohenheim) (1493-1541), Swiss-born German physician and alchemist. Paracelsus studied at Vienna University before becoming a military surgeon in

Triptych, c1486-1530. Artist: Quentin Metsys I
Triptych, c1486-1530. A triptych with the Crucifixion as the main panel flanked by panels of donors and saints

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Quentin Matsys, a renowned painter in the Flemish tradition, left an indelible mark on art history with his captivating works. In "Portrait of a Man with a Pink" from 1500, Matsys showcases his mastery in capturing human emotions and intricate details. The subject's enigmatic gaze draws us into his world. "The Adoration of the Magi" painted in 1526 is another testament to Matsys' talent. This religious masterpiece depicts the biblical scene with vibrant colors and meticulous brushstrokes, evoking a sense of awe and reverence. Matsys also excelled in portraiture as seen in "Portrait of a Woman" circa 1520. With delicate precision, he captures the sitter's grace and beauty, leaving us captivated by her timeless allure. In "The Moneylenders, " created around 1515, Matsys delves into social commentary. He exposes the greed and corruption prevalent during that era through vivid imagery that still resonates today. One of his most famous works is "The Moneylender and his Wife" from 1514. This painting explores themes of love amidst materialism as it portrays an intimate moment between two individuals caught up in their own desires. Matsys' artistic versatility shines through even in religious subjects like "Head of Christ. " Painted during the fifteenth century but rediscovered later in 1905, this piece displays profound spirituality through its tender depiction of Jesus Christ. His skill extended beyond traditional subjects; for instance, "St Mary Magdalene" from 1927 reveals Matsys' ability to capture emotion within religious iconography while maintaining realism. "Petrus Aegidius, " also painted by him during this period, showcases his attention to detail as he immortalizes an esteemed figure through precise brushwork and lifelike representation. "The Misers, " dating back to somewhere between 1480-1530, is a satirical portrayal of greed and materialism.