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Photo Mug : A monstrous elegant attitude! 1790 (etching)
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A monstrous elegant attitude! 1790 (etching)
XJF2906512 A monstrous elegant attitude! 1790 (etching) by English School, (18th century); Private Collection; (add.info.: Identified as William Thomas Lewis (c.1746-1811) actor and theatre manager, known as Gentleman Lewis because of his refined acting style. Described as the most complete fop on the stage, Hazlitt called him gay, fluttering, hare-brained
); English, out of copyright
Media ID 12812069
© www.bridgemanimages.com
Acting Airs Covent Garden Coxcomb Dandy Lewis Refined Theatrical Vanity
Large Photo Mug (15 oz)
Bring the grandeur of 18th-century art to your daily routine with our Media Storehouse Photo Mugs. Featuring the captivating etching, "A monstrous elegant attitude! 1790" by the English School, this mug showcases the intricate details of this masterpiece. Depicting a monstrous yet elegant figure, this mug is a perfect blend of art and functionality. The image, identified as the work of William Thomas Lewis, adds a touch of sophistication and mystery to your morning coffee or evening tea. Embrace the allure of fine art with every sip.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This etching from 1790, titled "A monstrous elegant attitude!", showcases the English actor and theatre manager William Thomas Lewis in all his flamboyant glory. Known as Gentleman Lewis for his refined acting style, he exudes an air of sophistication and vanity that was characteristic of the dandy culture during the 18th century. The artist behind this satirical masterpiece brilliantly captures Lewis's exaggerated persona with intricate details and subtle humor. From his meticulously styled wig to his extravagant fashion choices, every element emphasizes the actor's commitment to portraying a complete fop on stage. Lewis's reputation as a coxcomb is further reinforced by Hazlitt's description of him as gay, fluttering, and hare-brained. This caricature not only mocks his theatrical airs but also highlights the absurdity of such ostentatious behavior in society. As we gaze upon this print from a private collection, we are transported back to Covent Garden Theatre in London where Lewis entertained audiences with his refined acting skills. His presence on stage brought joy and amusement to countless spectators who marveled at both his talent and impeccable style. This remarkable artwork serves as a reminder of England's rich theatrical history while celebrating one man's contribution to entertainment. It encapsulates an era when refinement met extravagance, leaving us captivated by its timeless charm.
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