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Photo Mug : A nude woman looking down at a half-grown boy, plate 18 from The First Book of Urizen
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A nude woman looking down at a half-grown boy, plate 18 from The First Book of Urizen
XYC285521 A nude woman looking down at a half-grown boy, plate 18 from The First Book of Urizen, 1794 (colour printed relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12797745
© www.bridgemanart.com
Chain Hammer Romanticist Bearded Man
Large Photo Mug (15 oz)
Bring the enchanting world of William Blake's art into your daily routine with our Media Storehouse Photo Mugs. Featuring plate 18 from The First Book of Urizen, this exquisite mug showcases the captivating image of a nude woman tenderly looking down at a half-grown boy from Blake's iconic work. With vibrant colors and intricate details preserved from the original color printed relief etching with watercolor, each sip brings you closer to the timeless beauty of this masterpiece. Perfect for art lovers, collectors, or anyone seeking a touch of inspiration in their day, our Photo Mugs make a unique and thoughtful gift.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
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EDITORS COMMENTS
In this print titled "A nude woman looking down at a half-grown boy" we are transported into the imaginative world of William Blake's The First Book of Urizen. This plate, number 18 in the series, showcases Blake's unique blend of poetry and visual artistry. The scene depicts a powerful and intimate moment between a mother figure and her young son. The woman stands tall and confident, her gaze fixed upon the child with tenderness and concern. Her nudity symbolizes vulnerability but also strength, as she embraces her maternal role. The half-grown boy appears curious yet hesitant, his eyes locked onto something beyond our view. He holds a hammer in one hand, perhaps representing his potential to shape his own destiny or break free from societal constraints. Blake's use of color printed relief etching with watercolor adds depth and richness to the composition. The vibrant hues enhance the emotional intensity conveyed by both figures. This illustration is emblematic of Romanticism, an artistic movement that celebrated individuality, emotion, and imagination. It invites us to contemplate themes such as love, growth, freedom, and the complexities of human relationships. Displayed at Yale Center for British Art as part of their esteemed Paul Mellon Collection in the USA since its creation in 1794 until today; this artwork continues to captivate viewers with its timeless beauty and thought-provoking narrative.
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