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Canvas Print : Penrhyn tomb, Llandegai Church, North Wales

Penrhyn tomb, Llandegai Church, North Wales



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Penrhyn tomb, Llandegai Church, North Wales

Detail of the Penrhyn tomb in Llandegai (or Llandygai) Church, near Bangor, Caernarvonshire (now Gwynedd), North Wales. The tomb was sculpted by Richard Westmacott for the first Lord and Lady Penrhyn, who were prominent in the development of the Welsh slate industry. The statues are of a quarryman and a peasant woman, somewhat idealised in Grecian style costume, and described by Eric Hobsbawm as the earliest sculpted proletarians. There is a bas relief of cherubs splitting slates, and a long inscription below them

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 4471413

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10425088

Aristocracy Bangor Baron Burial Caernarvonshire Cherubs Chisels Commemoration Development Grecian Gwynedd Idealised Inscription Marble Mine Mining Peasant Penrhyn Prominent Quarry Quarrying Quarryman Sarcophagus Sculpted Sculptor Slate Slates Splitting Statues Tomb Westmacott Work Men Upper


20"x16" (51x41cm) Canvas Print

Introducing the Media Storehouse Canvas Prints collection, featuring the captivating image of "Penrhyn Tomb in Llandegai Church." This exquisite piece, sourced from Mary Evans Prints Online, showcases a detailed depiction of the Penrhyn tomb located in Llandegai Church near Bangor, North Wales. Sculpted by the renowned artist Richard Westmacott for the first Lord Penrhyn, this tomb is a true masterpiece of historical and artistic significance. Our high-quality canvas prints bring the rich textures and vibrant colors of this image to life, making it an excellent addition to any home or office decor. Experience the beauty of North Wales history in your very own space with the Media Storehouse Canvas Prints collection.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This detail from the Penrhyn tomb in Llandegai Church, located near Bangor in the historic county of Caernarvonshire (now Gwynedd), North Wales, showcases the intricate craftsmanship of the monument sculpted by renowned British sculptor, Richard Westmacott. Commissioned for the first Lord and Lady Penrhyn, this monument is a testament to their significant contributions to the development of the Welsh slate industry. The statues, carved in marble, depict a quarryman and a peasant woman, both dressed in somewhat idealised Grecian style costumes. These figures, described by historian Eric Hobsbawm as the earliest sculpted proletarians, serve as a unique commemoration of the working class during the Industrial Revolution. The quarryman, with his chisel in hand, represents the hardworking laborers who toiled in the mines, while the peasant woman symbolizes the women who supported the mining communities. The bas relief of cherubs splitting slates above the statues adds an ethereal touch to the monument, reflecting the importance of the slate industry to the region. The long inscription below the figures is a poignant reminder of the lives and accomplishments of the Penrhyns. This monument, with its historical significance and artistic merit, stands as a testament to the aristocracy's recognition of the working class during a time of rapid industrialization. The Penrhyn tomb, with its quarryman and peasant woman, serves as a unique and intriguing blend of history, art, and social commentary.

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