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Mouse Mat : mag1954 co pbk 008

mag1954 co pbk 008




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Studiocanal

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mag1954 co pbk 008

STUDIOCANAL Film and Theatre Film Posters and Stills

Media ID 14778350

© Studiocanal Films Ltd


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 15.6cm (9.3" x 6.1")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Europe > United Kingdom > England > London > Boroughs > Ealing

> STUDIOCANAL > The Maggie (1954)


VISUAL DESCRIPTION
This image appears to be a vintage promotional lobby card or press kit for the film "The Maggie" presented by Ealing Studios and featuring Paul Douglas. The left side of the image shows a black-and-white photograph of a man standing on what looks like the deck of a ship, wearing a coat and hat, with his mouth open as if he's speaking or shouting. On the right side, there is detailed information about the movie including cast members such as Alec Guinness and James Copeland, among others. It lists technical details like length (8330 feet), certificate (U), director (Alexander Mackendrick), and producer (Michael Truman). There are also various notes regarding publicity allowances for advertising materials related to the film. Below this text block is another note that reads: "The Maggie is an extra 5%/6% against 'B' films from G. B. D. " followed by "Paul Douglas creates in 'The Maggie' his greatest characterisation - 15% from G. P. D. " At the top right corner, it states that this archival restoration print was made less than 300 times. This piece serves both as an informative document about "The Maggie" and its production details while also providing insight into mid-20th-century film marketing strategies.

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