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Mouse Mat : Potter Bridget Appleby seen here in here Crawford Street, Marylebone, London studio
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Potter Bridget Appleby seen here in here Crawford Street, Marylebone, London studio
Potter Bridget Appleby seen here in here Crawford Street, Marylebone, London studio, putting the finishing touches on a Harold Wilson commemoration mug to mark the resignation of the Prime Minister 16th March 1976
Peter Stone
Daily Mirror
Mirrorpix
London
Greater London
England
Media ID 21787700
© Mirrorpix
Craft Craftsman Labour Party Painting Potter Pottery Seventies 1976
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print by Peter Stone, we catch a glimpse of Potter Bridget Appleby in her bustling London studio on Crawford Street. Engrossed in her craft, she delicately puts the finishing touches on a Harold Wilson commemoration mug, marking the historic resignation of the Prime Minister on 16th March 1976. The image captures the essence of craftsmanship and dedication that defined the era. With paintbrush in hand, Appleby showcases her skill as a potter, meticulously painting intricate details onto the ceramic surface. Her concentration is palpable as she brings to life an emblematic moment in British politics. Set against a backdrop of shelves filled with pottery tools and unfinished creations, this snapshot transports us back to 1970s England. The atmosphere exudes creativity and passion for one's work - qualities synonymous with both Appleby's artistry and the spirit of that time. As we admire this evocative photograph from Memory Lane Prints, we are reminded not only of Appleby's talent but also of how art can serve as a powerful medium for capturing historical events. This piece stands as a testament to both political change and artistic expression during an important chapter in Britain's history.
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