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Welsh harps




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Welsh harps

Welsh harps.. Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14207896

© Florilegius / Mary Evans

Abrahamrees Cyclopedia Instrument Sciencesandliterature Universaldictionaryofarts


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 18.8cm x 23.7cm (7.4" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print showcases three distinct Welsh harps, each representing different periods in the history of this unique musical instrument. The single Welsh harp at the center is elegantly depicted with its slender neck and intricately carved soundbox. The harp's strings, stretched tautly between the soundbox and the neck, are poised to produce melodious notes when plucked. To the left, an ancient triple Welsh harp graces the image. Its triangular shape and three rows of strings set it apart from the single harp. This harp, a symbol of Welsh cultural heritage, was commonly used in the medieval and early modern periods. Its rich, resonant sound was admired by bards and poets, who employed it to accompany their performances. On the right, a modern triple Welsh harp emerges, its design reflecting the evolution of the instrument. The modern harp boasts a more streamlined shape and a larger soundbox, which enhances its sound projection. Its strings are arranged in five or six courses, allowing for a wider range of notes and greater tonal depth. This exquisite print is a testament to the enduring allure of the Welsh harp and its significant role in Welsh history and culture. The intricate copperplate engraving by John Lee, published in Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature in 1820, captures the essence of these magnificent instruments with remarkable detail and precision.

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