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Mouse Mat : Racial / Greenland Pygmies

Racial  /  Greenland Pygmies




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Mary Evans Prints Online

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Racial / Greenland Pygmies

Pygmies of Greenland, superimposed on a map of the country

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 4363030

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10118221

1555 Greenland Pygmies Superimposed Racial


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 17.9cm (9.3" x 7")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This intriguing print from Mary Evans Prints Online showcases a unique and thought-provoking image of "Racial / Greenland Pygmies." The photograph features an overlay of the Pygmies of Greenland on top of a historical map of the country, dating back to 1555. This striking juxtaposition offers viewers a glimpse into the complex history and diversity of Greenland's indigenous peoples. The image raises questions about cultural identity, racial diversity, and historical representation. By superimposing the figures of the Pygmies onto the map, it highlights how different groups have inhabited and shaped Greenland over centuries. It serves as a reminder that our understanding of history is often incomplete or skewed, with certain voices and perspectives marginalized or erased. Through this visual exploration, we are invited to reflect on issues surrounding race, colonialism, and power dynamics in relation to Greenland's past. The presence of the Pygmies on the map challenges us to reconsider conventional narratives about who belongs in a particular place and how identities are constructed. Overall, this print is not just a captivating work of art but also a powerful statement about representation and recognition. It encourages us to engage critically with images from the past and consider whose stories are being told – or left untold – in our collective memory.

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