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Mouse Mat : Pagliacci. A portrait painting of an actor, wearing a white costume in
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Pagliacci. A portrait painting of an actor, wearing a white costume in
A portrait painting of an actor, wearing a white costume in the role of Canio the clown, from Pagliacci, an Italian opera by Ruggero Leoncavallo. Date: circa 1917
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32256534
© CLM Archive Collection / Mary Evans
Clown Leoncavallo Opera Pagliacci Palmer Role Canio Ruggero Volume
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17cm x 23.7cm (6.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This evocative portrait captures the intensity and melancholy of Canio, the central character from Ruggero Leoncavallo's groundbreaking Italian opera, Pagliacci. Dated circa 1917, this painting showcases an actor in the prime of his career, deeply immersed in the role that would come to define his artistic legacy. The actor is depicted wearing the iconic white costume of Canio, the clown, complete with red nose and jester's bells. The rich, vibrant colors of the painting bring the character to life, capturing the contrast between the joy and sadness that underpin the opera's themes. The image was published in a prestigious magazine volume, likely in August of that year. Alfred Field Palmer, a renowned photographer and illustrator, was the artist behind this work. Palmer's mastery of light and shadow is evident in the way the actor's face is illuminated against the dark background, drawing the viewer's attention to the depth of emotion in his expression. Pagliacci, first performed in 1892, remains a cornerstone of the operatic repertoire, with its powerful exploration of jealousy, betrayal, and the blurred lines between reality and performance. This portrait offers a glimpse into the world of the opera, providing a window into the soul of an actor who brought Canio to life on the stage, leaving a lasting impact on audiences for generations to come.
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