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Mouse Mat : Vom Tode I Opus II 1889 No 3 Max Klinger German

Vom Tode I Opus II 1889 No 3 Max Klinger German




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Vom Tode I Opus II 1889 No 3 Max Klinger German

Vom Tode I, (Opus II, 1889) No. 3. Max Klinger (German, 1857-1920). Etching and aquatint

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18471610

© Liszt Collection

1857 1920 1889 Aquatint Max Klinger Opus Ii Vom Tode I


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases the artwork titled "Vom Tode I Opus II 1889 No 3" by the renowned German artist Max Klinger. Created in 1889, this etching and aquatint piece is a testament to Klinger's exceptional talent and his ability to evoke deep emotions through his art. In this composition, Klinger explores the theme of death, as indicated by its title. The intricate details and masterful technique employed in this work are truly mesmerizing. The dark tones and haunting imagery create an eerie atmosphere that draws viewers into a world of contemplation. Klinger's skillful use of etching and aquatint techniques adds depth and texture to the artwork, enhancing its overall impact. Each stroke seems deliberate, conveying a sense of melancholy while also inviting introspection. As we gaze upon this print from Liszt Collection, we can't help but be captivated by Klinger's ability to convey complex emotions through visual storytelling. It serves as a reminder that art has the power to transcend time and language barriers, speaking directly to our souls. This particular piece is a true gem within Max Klinger's body of work—a testament to his artistic genius—and it stands as an important representation of German expressionism during the late 19th century.

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