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Tiber Aventine Rome Mrs Jane St John British
The Tiber from the Aventine, Rome; Mrs. Jane St. John (British, 1803 - 1882); Rome, Italy; 1856 - 1859; Albumen silver print from a paper negative; 22.4 x 27.5 cm (8 13, 16 x 10 13, 16 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18482342
© Liszt Collection
16 X 1803 1856 1859 1882 224 X 8 13 Jane St John Paper Negative Tiber Aventine
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 19cm (9.3" x 7.5")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print titled "Tiber Aventine Rome" captures the serene beauty of the Tiber River as seen from the Aventine Hill in Rome. The image, taken between 1856 and 1859 by Mrs. Jane St. John, a British photographer, showcases her exceptional talent in capturing landscapes with remarkable detail. The composition is truly breathtaking; it transports viewers to a different era, allowing them to experience the charm and tranquility of Rome during that time. The soft lighting and delicate tones add a touch of nostalgia to the scene, evoking a sense of wonder and curiosity about what life was like back then. Measuring at 22.4 x 27.5 cm (8 13/16 x 10 13/16 in. ), this albumen silver print was created using a paper negative technique popular during that period. It highlights Mrs. Jane St. John's mastery in manipulating light and shadow to create depth and texture within her photographs. This particular piece from the Liszt Collection holds historical significance as it provides us with an intimate glimpse into both Roman architecture and British photography practices of the mid-19th century.
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