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Mouse Mat : Sebastopol Roger Fenton English 1819 1869 Crimea
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Sebastopol Roger Fenton English 1819 1869 Crimea
Before Sebastopol; Roger Fenton (English, 1819 - 1869); Crimea; 1855; Salted paper print; 25.5 x 34.9 cm (10 1, 16 x 13 3, 4 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18482707
© Liszt Collection
10 1 16 X 1819 1855 1869 255 X Crimea Roger Fenton Salted Paper Sebastopol
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 17.7cm (9.3" x 7")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print captures the essence of Sebastopol, Crimea, in 1855. Taken by renowned English photographer Roger Fenton, this salted paper print showcases his exceptional talent and attention to detail. The image measures 25.5 x 34.9 cm (10 1/16 x 13 3/4 in. ), allowing viewers to immerse themselves in the scene. Fenton's composition transports us back to a significant moment in history - the Crimean War. With Sebastopol as its backdrop, this photograph offers a glimpse into the city's pre-war state, before it became synonymous with conflict and destruction. The careful use of light and shadow adds depth and drama to the image. It is evident that Fenton meticulously chose his vantage point to capture both architectural beauty and natural surroundings harmoniously. As we study this print from the Liszt Collection, we are reminded of Fenton's pioneering role in documentary photography during a time when capturing war scenes was still relatively new territory for photographers. His work not only documented historical events but also challenged traditional notions of artistry.
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