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Mouse Mat : Venice in 1493, (1925). Creator: Unknown

Venice in 1493, (1925). Creator: Unknown




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Venice in 1493, (1925). Creator: Unknown

Venice in 1493. Coloured Woodcut from the Nuremberg Chronicle, (1925). 15th century cityscape of Venice in Italy, with St Marks and the Campanile in the centre. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd. London, 1925]

Heritage Images features heritage image collections

Media ID 15516232

© The Print Collector / Heritage-Images

Belfry Bell Tower Brinton C G Holme Campanile Cg Holme Geoffrey Geoffrey Holme Holme Lagoon Nuremberg Chronicle Panorama Selwyn Selwyn Brinton Venice


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 16.4cm (9.3" x 6.5")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Towers > Cathedrals

> Architecture > Towers > Churches

> Arts > Art Movements > Medieval Art

> Arts > Landscape paintings > Cityscape art > Landscape paintings

> Europe > Italy > Heritage Sites > Venice and its Lagoon

> Europe > Italy > Veneto > Venice

> Historic > Medieval architecture > Cathedrals and churches > Church history

> Historic > Medieval architecture > Cathedrals and churches > Medieval cathedrals


EDITORS COMMENTS
This print takes us back in time to Venice in 1493, beautifully captured through a colored woodcut from the Nuremberg Chronicle. The 15th-century cityscape of Venice unfolds before our eyes, with its iconic landmarks standing proudly at the center - St Marks and the Campanile. The unknown creator has skillfully depicted this medieval masterpiece, showcasing the architectural marvels that have defined Venice for centuries. As we gaze upon this image, we are transported to an era where ships gracefully sailed through Venetian waters, serving as a reminder of the city's rich maritime history. The lagoon surrounding Venice adds an ethereal touch to the landscape, enhancing its charm and allure. The inclusion of this woodcut in Selwyn Brinton's book "Venice - Past and Present" edited by Geoffrey Holme in 1925, further solidifies its significance as a historical artifact worth cherishing. It serves as a window into both the past and present of one of Italy's most enchanting cities. With vibrant colors adorning every detail, from towering cathedrals to bustling streets filled with life, this print captures not only physical structures but also evokes emotions tied to religion and spirituality during that period. It is a testament to how art can transcend time and connect us with different eras. This remarkable piece offers viewers an opportunity to immerse themselves in the beauty of Renaissance-era Venice while appreciating the craftsmanship behind such intricate woodcuts.

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