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Thomas Cripps, 1759. Artist: Francis Cotes
Thomas Cripps, 1759. From The Connoisseur Volume XC, [The Connoisseur Ltd, London, 1932]
Heritage Images features heritage image collections
Media ID 14970809
© The Print Collector
Cotes Francis Francis Cotes Georgian Cripps
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 18.1cm x 23.7cm (7.1" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Thomas Cripps, 1759 - A Glimpse into Georgian England's Aristocracy
EDITORS COMMENTS
. This portrait print of Thomas Cripps, painted by the renowned artist Francis Cotes in 1759, offers a fascinating window into the world of 18th-century British high society. With meticulous attention to detail and skillful brushwork, Cotes captures the essence of this distinguished gentleman. Dressed in an exquisite blue coat that exudes elegance and refinement, Thomas Cripps stands with poise and confidence. His head is held high, reflecting his status as a man of influence during this period. The vibrant colors and intricate details of his attire showcase the fashion trends prevalent among Britain's elite at that time. Cotes' masterful use of light and shadow brings out every nuance in Thomas Cripps' face – from his sharp features to his piercing gaze. This intimate portrayal reveals not only the subject's physical appearance but also hints at his character and personality. As we admire this remarkable piece of artistry today, we are transported back to a bygone era where opulence met sophistication. It serves as a testament to both Francis Cotes' artistic prowess and Thomas Cripps' prominence within Georgian society. This print is part of The Connoisseur Volume XC collection published by The Connoisseur Ltd in London in 1932. Preserved for generations to come, it allows us to appreciate the rich history encapsulated within each stroke on canvas. Let us
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