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Mouse Mat : South Door - Mitford Church, Northumberland, 1814. Artist: John Greig
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South Door - Mitford Church, Northumberland, 1814. Artist: John Greig
South Door - Mitford Church, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]
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Media ID 14931848
© The Print Collector
Arched Border Border Antiquities Borderland Church Of St Mary Magdalene Door Greig John Greig Longman Co Northumberland Scott Sir Walter Sir Walter Scott South St Mary Magdalene Walter Walter Scott Archway Mitford
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.9cm x 23.7cm (6.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the South Door of Mitford Church in Northumberland, England, as it appeared in 1814. The artist behind this remarkable piece is John Greig, whose attention to detail beautifully captures the essence of this ancient architectural marvel. Published in "The Border Antiquities of England and Scotland" by Walter Scott, Esq. , this print transports us back to a time when religion played a central role in people's lives. In the foreground, we see three individuals - a male figure sitting on the steps with two young boys beside him. A female figure stands nearby, her presence adding a sense of serenity to the scene. They are all engrossed in conversation or perhaps taking a moment for quiet reflection amidst the grandeur of their surroundings. The intricately carved archway frames them perfectly against the backdrop of St Mary Magdalene Church. This monochrome image not only highlights the architectural features but also evokes a sense of history and reverence that permeates every inch of this sacred space. As we admire this 19th-century engraving by John Greig, we can't help but be reminded of our rich cultural heritage and how these ancient structures continue to inspire awe even today. It serves as a testament to both human craftsmanship and our enduring connection with spirituality throughout centuries.
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