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Mouse Mat : Portrait of Wilhelmine Dorothee von der Marwitz (1718-1787), c. 1739. Artist: Pesne, Antoine (1683-1757)
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Portrait of Wilhelmine Dorothee von der Marwitz (1718-1787), c. 1739. Artist: Pesne, Antoine (1683-1757)
Portrait of Wilhelmine Dorothee von der Marwitz (1718-1787), c.1739. Found in the collection of Altes Schlosz Eremitage, Bayreuth
Heritage Images features heritage image collections
Media ID 15026908
© Fine Art Images
Antoine 1683 1757 Bayreuth Frederick Pesne
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 15.1cm x 23.7cm (5.9" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait print showcases the elegance and grace of Wilhelmine Dorothee von der Marwitz, a prominent figure in 18th-century Germany. Painted by Antoine Pesne around 1739, this exquisite piece of Rococo art captures the essence of its subject with remarkable finesse. Wilhelmine Dorothee von der Marwitz, born in 1718 and passing away in 1787, was a woman of great influence during her time. The artist skillfully portrays her regal stature and refined beauty through his masterful brushstrokes. With every delicate detail meticulously rendered on canvas, it is as if she comes to life before our eyes. Displayed within the esteemed collection at Altes Schlosz Eremitage in Bayreuth, Germany, this artwork serves as a testament to both the artistic talent of Pesne and the historical significance of Von der Marwitz herself. As we gaze upon this oil painting set against a backdrop reminiscent of the Rococo era's opulence, we are transported back to an age defined by grandeur and sophistication. The presence of Margrave Frederick of Brandenburg-Bayreuth further adds intrigue to this composition. It hints at connections between Von der Marwitz and influential figures within German nobility during that period. This print not only preserves an invaluable piece from history but also invites us into a world where artistry intertwines with aristocracy. Its allure lies not only in its aesthetic appeal but
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