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Mouse Mat : Portrait of Lucas Vorsterman, 1627-1632 (1958)
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Portrait of Lucas Vorsterman, 1627-1632 (1958)
Portrait of Lucas Vorsterman, 1627-1632 (1958). Etching. Vorsterman (1595-1675) was a Flemish Baroque engraver who worked with artists including Van Dyck and Rubens. King Charles I of England was amongst his clients. A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958
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Media ID 14950851
© The Print Collector / Heritage-Images
Anthony Anthony Van Anthony Van Dyck Anthony Van Dyke Anthony Vandyke Dyck Dyke Engraver Lucas Lucas Vorsterman Print Collector12 Printmaker Sir Anthonis Van Dyck Sir Anthony Sir Anthony Van Sir Anthony Van Dyck Sir Anthony Van Dyke Van Dyck Van Dyke Vandyke Vorsterman
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 15.8cm x 23.7cm (6.2" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This black and white etching, titled "Portrait of Lucas Vorsterman, 1627-1632 (1958)", captures the essence of a prominent Flemish Baroque engraver. Created by an unknown artist but influenced by Anthony van Dyck's style, this print showcases the talent and skill of Lucas Vorsterman. Vorsterman, who lived from 1595 to 1675, was renowned for his collaboration with esteemed artists such as Van Dyck and Rubens. His clientele even included King Charles I of England. In this portrait, Vorsterman is depicted wearing traditional attire of the seventeenth century - a collar adorned with lace that adds an elegant touch to his ensemble. The etching beautifully highlights Vorsterman's bearded face and expressive eyes, reflecting both wisdom and dedication to his craft. The monochrome palette enhances the intricate details in his clothing while emphasizing the focus on his profession as an engraver. As one gazes at this print from The Fitzwilliam Museum collection, it becomes evident that it serves as a tribute to Lucas Vorsterman's significant contribution to the arts during the Baroque era. It also pays homage to Anthony van Dyck's influence on both Vorsterman himself and countless other artists. Overall, this portrait invites viewers into a world where creativity flourishes alongside meticulous craftsmanship – a testament to the enduring legacy left behind by these talented individuals in art history.
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