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Mouse Mat : Meeting place at the entrance to a Metro station, Paris, 1931. Artist: Ernest Flammarion
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Meeting place at the entrance to a Metro station, Paris, 1931. Artist: Ernest Flammarion
Meeting place at the entrance to a Metro station, Paris, 1931. Illustration from the book Paris published by Ernest Flammarion, (1931)
Heritage Images features heritage image collections
Media ID 14918509
© The Print Collector / Heritage-Images
Ernest Ernest Flammarion Flammarion Meeting Place Metro Metropolitain Public Transport Station Tube Station Underground Station Waiting
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 16.3cm (9.3" x 6.4")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Meeting Place at the Entrance to a Metro Station, Paris, 1931 - A Glimpse into Urban Life
EDITORS COMMENTS
. This print captures the essence of bustling city life in 1930s Paris. The artist, Ernest Flammarion, skillfully portrays a meeting place at the entrance of a Metro station, where people from all walks of life come together. In this snapshot frozen in time, we see a diverse group of individuals waiting patiently for their trains. Men and women clad in fashionable attire stand side by side with workers carrying briefcases or newspapers tucked under their arms. The atmosphere is filled with anticipation as conversations mingle with the sounds of passing vehicles on the nearby road. The Metro station serves as both a physical and metaphorical crossroads—a hub connecting different parts of the city while also symbolizing encounters between strangers turned acquaintances. Amidst this vibrant scene, one cannot help but wonder about the stories hidden behind each face—stories that intertwine momentarily before dispersing into separate journeys. Flammarion's monochrome composition adds depth to this visual narrative, highlighting contrasts between light and shadow that accentuate details such as architectural elements and signage unique to Parisian metro stations. As we gaze upon this remarkable piece from Flammarion's book "Paris" we are transported back in time—an invitation to immerse ourselves in an era defined by its charm and dynamism. This print serves as a testament to how public transportation has always been more than just a means
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