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Mouse Mat : The Lie, plate one from Intimacies, 1897. Creator: Félix Vallotton
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The Lie, plate one from Intimacies, 1897. Creator: Félix Vallotton
The Lie, plate one from Intimacies, 1897
Heritage Images features heritage image collections
Media ID 36192726
© Heritage Art/Heritage Images
Art Movement Deceit Deceitful Deceiving Embrace Embracing Felix Edouard Vallotton Felix Vallotton Graphics Intimacy Intimate Journal Kiss Kissing La Revue Blanche Les Nabis Literary Nabis Post Impressionism Romance Romancing Swiss Switzerland Tense Tension Vallotton Felix Woodcut In Black On Cream Wove Paper Wove Paper Artistic Movement Parody Satirical
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.8cm (9.3" x 7.4")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Lie," plate one from Félix Vallotton's series "Intimacies," created in 1897, is a captivating black and white drawing that masterfully captures the complexity of human emotions, particularly the theme of deceit and the intricacies of romantic relationships. This antique artwork, now held in the esteemed collection of the Art Institute of Chicago, is a testament to the enduring allure of the Nabis artistic movement, a post-impressionist group that emerged in France during the late 19th century. In this evocative image, a man and a woman, ensnared in a web of deceit, embrace in an indoor setting. Their faces are hidden from view, their expressions inscrutable, as they share a clandestine kiss. The couple's bodies, bathed in the soft, diffused light of the interior, seem to merge together, creating a sense of intimacy and secrecy. The drawing, originally published in the literary magazine La Revue Blanche, is a satirical commentary on the human condition and the deceptive nature of love. Vallotton's use of bold lines and stark contrasts adds to the overall sense of tension and intrigue, making "The Lie" a compelling work of art that continues to captivate audiences more than a century after its creation. This historic piece, a valuable addition to the rich cultural heritage of the art world, invites viewers to ponder the complexities of human relationships and the power of deceit to shape our lives. Whether viewed as a work of post-impressionist art, a satirical commentary, or a poignant depiction of romantic entanglements, "The Lie" remains a captivating and thought-provoking work of art that continues to resonate with audiences today.
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