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Mouse Mat : The First Singing of the Marseillaise, 1895. Creator: Isidore Pils
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The First Singing of the Marseillaise, 1895. Creator: Isidore Pils
The First Singing of the Marseillaise, 1895. From " The Musical Educator Vol. 4" edited by John Greig, M.A. Mus. Doc. [Caxton Publishing Company, Limited, London, 1895]
Heritage Images features heritage image collections
Media ID 18384956
© The Print Collector/Heritage Images
Audience Caxton Publishing Company Claude Joseph Rouget De Lisle Composer Isidore Isidore Pils La Marseillaise Lisle Marseillaise Musical Educator National Anthem Passion Patriotism Piano Pils Rouget De Lisle Fervour Playing An Instrument Vocalist Zealous
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 19.8cm (9.3" x 7.8")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The First Singing of the Marseillaise, 1895
EDITORS COMMENTS
captures a pivotal moment in history with its powerful depiction of fervent patriotism and musical rebellion. Created by Isidore Pils, this print transports us back to the 18th century when Claude Joseph Rouget de Lisle composed the iconic French national anthem. In this scene, men and women gather around a piano as a male vocalist passionately sings the revolutionary anthem. The room is filled with zealous energy as people from all walks of life come together to express their love for country and freedom. The painting beautifully portrays the diverse audience, showcasing both genders engaged in this historic event. Isidore Pils skillfully captures not only the passion on people's faces but also their occupation and profession through intricate details. This artwork serves as a testament to music's ability to unite individuals across different backgrounds during times of revolution. Published in "The Musical Educator Vol. 4" edited by John Greig, M. A. , Mus. Doc. , this print holds historical significance beyond its artistic value. It stands as an important reminder of France's fight for liberty and equality during that era. As we gaze upon "The First Singing of the Marseillaise" we are transported back in time, feeling the power behind those voices singing out for change. It serves as an enduring symbol of resilience and unity that continues to inspire generations today.
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