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Mouse Mat : David d'Angers, 1849. Creator: Honore Daumier
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David d'Angers, 1849. Creator: Honore Daumier
David d'Angers, 1849. French sculptor. From Les Representans Representes (Representatives Represented)
Heritage Images features heritage image collections
Media ID 36352702
© Heritage Art/Heritage Images
Daumier Honore Daumier Honore Victorin David Dangers David Dangers Pierre Jean David Pierre Jean Funny H Daumier Honore Daumier Honore Victorin Daumier Lithographic Mustache Pierre Jean David Pierre Jean David Dangers Sculptor Lithotint Parody Satirical
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 18.4cm x 23.7cm (7.2" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "David d'Angers, 1849" by Honore Daumier, offers a humorous and satirical take on the renowned French sculptor, David d'Angers. The image, part of Daumier's series "Les Representants Representes" (Representatives Represented), showcases the artist's exceptional skill in lithography. David d'Angers, born Pierre Jean David, was a prominent figure in the French art scene during the 19th century. Known for his realistic and expressive sculptures, he gained widespread acclaim for his works, including the famous statue of Napoleon Bonaparte. In this print, Daumier playfully portrays D'Angers with an exaggerated mustache and a quizzical expression, adding a touch of humor to the image. The artist's mastery of the lithographic process is evident in the intricate details and contrasting shades of white and black. The print, now housed at the Los Angeles County Museum of Art (LACMA), is a testament to Daumier's artistic prowess and his ability to use satire as a means of commenting on society and its figures. The image serves as a reminder of the rich artistic heritage of France and the enduring influence of its artists, even as we continue to explore and appreciate their works centuries later.
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