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Corrida, 1927
Corrida, 1927. Private Collection
Heritage Images features heritage image collections
Media ID 15052283
© Fine Art Images / Heritage-Images
1927 Alexander Yevgenyevich 1887 1938 Brutality Bull Bullfight Bullfighter Bullring Corrida End Of 19th Early 20th Cen Gouache On Paper Picador Russian Painting Toreador Torero Tradition Yakovlev Atrocities
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.2cm (9.3" x 7.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Corrida, 1927 - A Captivating Glimpse into the Brutality and Tradition of Bullfighting in Spain
EDITORS COMMENTS
. This mesmerizing print captures the essence of a bullfight in early 20th century Spain. Titled "Corrida, 1927" this artwork by Alexander Yevgenyevich (1887-1938) offers a haunting portrayal of the atrocities and brutality inherent in this age-old tradition. The scene unfolds within a vibrant landscape, where the bullring takes center stage. The torero, dressed in his elaborate costume, stands poised with grace and determination as he prepares to face off against an imposing bull. The picador on horseback adds another layer of tension to the spectacle. Yakovlev's masterful use of gouache on paper brings every detail to life - from the dust kicked up by hooves to the sweat glistening on both man and beast. This Russian painting showcases not only Yakovlev's technical skill but also his deep understanding of Spanish culture. As we gaze upon this piece from a private collection, we are transported back in time to witness an art form that has divided opinions for centuries. It serves as a reminder that traditions can be both captivating and controversial; they reflect our complex relationship with animals and our own primal instincts. "Corrida, 1927" is more than just fine art; it is an invitation to contemplate humanity's fascination with violence and its connection to cultural heritage. Let
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