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Mouse Mat : Capital Fragment with Addorsed Birds and Interlace, between 1160 and 1200. Creator: Unknown

Capital Fragment with Addorsed Birds and Interlace, between 1160 and 1200. Creator: Unknown




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Capital Fragment with Addorsed Birds and Interlace, between 1160 and 1200. Creator: Unknown

Capital Fragment with Addorsed Birds and Interlace, between 1160 and 1200

Heritage Images features heritage image collections

Media ID 36372821

© Heritage Art/Heritage Images

Capital Fragment Interlace Limestone Thirteenth Century


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > France

> Arts > Art Movements > Medieval Art

> Arts > Sculpture

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Medieval architecture

> Historic > Medieval architecture > Sculptures, reliefs, and carvings

> Historic > Medieval architecture


EDITORS COMMENTS
This 12th-13th century limestone capital fragment, known as Capital Fragment with Addorsed Birds and Interlace, showcases the intricate artistry and craftsmanship of European medieval art. The exact origin and creator of this masterpiece remain unknown, adding to its allure. The capital, dating from the Middle Ages, is adorned with two birds facing each other, a common motif in European architectural decoration during this period. Their wings are delicately interlaced, creating a mesmerizing visual effect. The birds, with their vibrant colors and detailed feathers, are depicted in a naturalistic style, reflecting the artist's keen observation and understanding of the natural world. The intricate interlace pattern surrounding the birds is a testament to the advanced design skills of the artist. This architectural feature was likely part of a larger structure, possibly a church or a monastery, and would have added visual interest and spiritual significance to the building. This fragment is now part of the European Decorative Arts and Sculpture collection at the Los Angeles County Museum of Art (LACMA). It is a valuable addition to the museum's extensive heritage art holdings, providing a glimpse into the rich artistic traditions of medieval Europe. The Capital Fragment with Addorsed Birds and Interlace is a reminder of the enduring beauty and intrigue of the past, inviting us to explore the history and culture of a continent that continues to shape our world.

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