Mouse Mat : Un Bureau d'attente d'omnibus, 1862. Creator: Charles Maurand

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Un Bureau d'attente d'omnibus, 1862. Creator: Charles Maurand

Un Bureau d'attente d'omnibus, 1862

Heritage Images features heritage image collections

Media ID 36273877

© Heritage Art/Heritage Images

Charles Maurand Daumier Honore Daumier Honore Victorin H Daumier Honore Daumier Honore Victorin Daumier Interiors Maurand Charles Omnibus Waiting Wood Engraving

Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 16cm x 23.7cm (6.3" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Artists > W > Charles White

EDITORS COMMENTS
or "Waiting Room for Omnibuses," is a captivating wood engraving by Charles Maurand, created in 1862. This evocative image transports us back to 19th century France and offers a glimpse into the daily lives of its people. The scene unfolds in a dimly lit, cramped waiting room filled with a diverse group of men and women, all eagerly anticipating the arrival of their omnibus. The composition is masterfully balanced, with the figures arranged in a way that invites the viewer to explore every detail. The women, dressed in elegant Victorian attire, sit demurely on benches, their faces expressing a range of emotions from impatience to contentment. The men, dressed in work clothes and hats, stand or lean against the walls, deep in conversation or lost in thought. The artist, Charles Maurand, expertly uses contrasting light and shadow to create depth and texture, adding to the overall sense of atmosphere. The black and white, or monochrome, palette further enhances the timeless quality of the piece. The omnibus, a popular mode of transportation during this era, is a symbol of progress and connection, linking people to their destinations and to each other. This wood engraving is a testament to the rich artistic heritage of France and the enduring appeal of 19th century art. It can be found in the prestigious collections of the National Gallery of Art in Washington, D.C., where it continues to inspire and captivate visitors from around the world. Maurand's "Un Bureau d'attente d'omnibus" is a reminder of the power of art to transport us to another time and place, and to offer a window into the human experience.

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