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Mouse Mat : WORLD WAR I: CARTOON, 1914. Won t They Be Edified! American cartoon by Luther D
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WORLD WAR I: CARTOON, 1914. Won t They Be Edified! American cartoon by Luther D
WORLD WAR I: CARTOON, 1914.
Won t They Be Edified! American cartoon by Luther D. Bradley, 1914, commenting on the likely reaction of the supposedly less civilized peoples of Asia and Africa to the outbreak of World War I in Europe
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Media ID 12320780
1914 African Anti War Anti West Arabian Black Bradley Chinese Colonialism Daniel Daniels Entertainment Luther Mongolian Outbreak Parody Politics Satire Spectator Turban Turkish Watching World War I
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 15.2cm (9.3" x 6")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
WORLD WAR I: CARTOON, 1914. Won't They Be Edified! American cartoon by Luther D. Bradley, 1914, captures the satirical commentary on the outbreak of World War I and its perceived impact on supposedly less civilized peoples in Asia and Africa. In this thought-provoking image, we see a diverse group of men from different ethnic backgrounds seated together as spectators, wearing turbans and traditional attire representative of their respective cultures. The artist's intention is to highlight the irony of Western powers engaging in a destructive conflict while assuming that these 'less civilized' nations would be entertained or enlightened by it. The cartoon challenges colonialist attitudes prevalent during that era by exposing the arrogance and ignorance behind such assumptions. Bradley skillfully employs parody and satire to convey his message. By depicting individuals from various regions like Arabia, China, Mongolia, and Africa as observers rather than active participants in the war, he emphasizes their detachment from European conflicts while subtly questioning Western dominance over global affairs. This historical print serves as a reminder of how art can be used to critique political events and challenge prevailing narratives. It prompts viewers to reflect on notions of power dynamics between nations and encourages them to question stereotypes perpetuated by colonialism. Courtesy of Granger Art on Demand.
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