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Hogarths, Masquerades and Operas




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Hogarths, Masquerades and Operas

Vintage engraving of William Hogarths Masquerades and Operas (The Bad Taste of the Town), Burlington Gate. First published in February 1723/24. It mocks the contemporary fashion for foreign culture, including Palladian architecture, pantomimes based on the Italian commedia dell arte, masquerades (masked balls), and Italian opera

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duncan1890

Media ID 18206143


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Storehouse > Art > William Hogarth (1697-1764)

> Architecture > Country > Italy > Related Images

> Architecture > Related Images

> Architecture > Styles > Palladian Architecture

> Arts > Artists > H > William Hogarth

> Arts > Artists > William Hogarth

> Arts > Contemporary art

> Arts > Pop art > Contemporary art > Contemporary art gallery

> Arts > Pop art > Contemporary art > Fine art gallery

> Europe > Italy > Opera

> Europe > Italy > Posters


EDITORS COMMENTS
This vintage engraving captures the essence of William Hogarth's satirical masterpiece, "Masquerades and Operas (The Bad Taste of the Town)". Published in February 1723/24, this print is a testament to Hogarth's ability to mock and critique the prevailing trends of his time. In this intricate artwork, Hogarth takes aim at the contemporary fascination with foreign culture that was sweeping through society. From Palladian architecture to pantomimes inspired by Italian commedia dell'arte, masquerades or masked balls, and even Italian opera - no aspect escapes his sharp wit. The composition is richly detailed, inviting viewers into a world where excesses reign supreme. The characters depicted are adorned in extravagant costumes and masks, engaging in frivolous activities that highlight their shallow obsession with all things foreign. Hogarth's keen eye for social commentary shines through as he exposes the absurdity of these cultural fads. Through clever symbolism and exaggerated gestures, he presents a scathing critique on society's blind embrace of what he perceives as superficial trends. As we gaze upon this print from Duncan1890's collection at Fine Art Storehouse, we are transported back to an era where art served not only as entertainment but also as a mirror reflecting societal flaws. This engraving serves as a reminder that while fashion may change over time, human tendencies towards imitation and excess remain constant throughout history.

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