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Mouse Mat : Caricature of the Hundred Days, The Hasty Departure and the Unexpected Return
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Caricature of the Hundred Days, The Hasty Departure and the Unexpected Return
XIR180457 Caricature of the Hundred Days, The Hasty Departure and the Unexpected Return, 1815 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France; (add.info.: le depart precipite et le retour inprevu; period between the arrival of Napoleon in Paris on 20th March 1815, after he escaped from Elba, to 28th June, when Louis regained his throne following the Battle of Waterloo; Elbe; ); French, out of copyright
Media ID 12745816
© www.bridgemanimages.com
1769 1821 Bonaparte Defeat Eagle Emperor Napoleon I King Louis Xviii Lightning Rod Retreating Returning 1755 1824
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.4cm (9.3" x 7.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This vibrant and captivating print titled "Caricature of the Hundred Days, The Hasty Departure and the Unexpected Return" takes us back to a pivotal moment in history. Created by an anonymous French artist from the 19th century, this coloured engraving captures the essence of a tumultuous period between March 20th and June 28th in 1815. The image showcases two contrasting scenes side by side. On one hand, we witness Napoleon Bonaparte's hasty departure from Elba, where he had been exiled after his defeat at Waterloo. Riding on a donkey with lightning rods protruding from his hat, Napoleon is depicted as retreating amidst chaos and defeat. In stark contrast, King Louis XVIII reclaims his throne following victory at Waterloo. He is portrayed riding triumphantly on a horse with an eagle perched atop his crown. This satirical portrayal uses caricature to convey political commentary and social critique during this significant historical event. It highlights both the unexpected return of Napoleon and the swift restoration of power to King Louis XVIII. With its bold colors and intricate details, this artwork offers viewers a glimpse into not only the political climate but also the artistic style prevalent during that era in France. Preserved within Bibliotheque Nationale in Paris, France, this print serves as a reminder of how art can capture moments that shape our world's narrative for generations to come.
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