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Old Sayings and Predictions verified and fulfilled, touching the young King of Scotland
XJF347918 Old Sayings and Predictions verified and fulfilled, touching the young King of Scotland and his gued Subjects, published in 1651 (engraving) by English School, (17th century); Private Collection; (add.info.: The Scots holding their young Kings nose to the grinstone ; ); English, out of copyright
Media ID 12803085
© www.bridgemanart.com
Betrayal Broadsheet Charles I Civil War Commonwealth Good Grindstone Pamphlet Pushed Stuart Traitor Treason Turncoat Common Wealth
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 19.3cm (9.3" x 7.6")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print titled "Old Sayings and Predictions verified and fulfilled, touching the young King of Scotland" takes us back to a significant moment in history. Created by an anonymous English School artist in the 17th century, this engraving captures a scene filled with satire and political commentary. In the image, we witness a group of Scots holding down their young king's nose to the grindstone. This symbolic act represents the struggles faced by King Charles I during his reign, particularly amidst civil war and political unrest. The broadsheet or pamphlet format suggests that this artwork served as a form of propaganda against both monarchy and Scottish influence. The anti-monarchist sentiment is evident through various elements within the image: from derogatory terms such as "traitor" and "turncoat" to visual cues like pushing and holding down the king's nose. It reflects how some individuals perceived Charles I as a betrayer who had abandoned his people for personal gain. This artwork not only offers historical insight into England's Commonwealth era but also highlights broader themes of politics, government, and hearsay prevalent during that time. Its inclusion in private collections demonstrates its enduring significance as an artistic representation of political dissent. As we explore this intriguing piece further, it serves as a reminder of how art can be used to express societal opinions while providing valuable glimpses into our past.
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