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Frontispiece to Samuel Butler's Hudibras
2625581 Frontispiece to Samuel Butler's Hudibras by Hogarth, William (1697-1764); (add.info.: Engraving by british artist & engraver, William Hogarth 1697-1764: frontispiece to Samuel Butler's "Hudibras", a satirical polemic upon Roundheads, Puritans, Presbyterians and many of the other factions involved in the English Civil War.); Universal History Archive/UIG
Media ID 32179390
© Universal History Archive/UIG / Bridgeman Images
English Civil War Frontispiece Hogarth William 1697 1764 Hudibras Polemic Presbyterians Puritans Roundheads Samuel Butler William Hogarth 18th Centuries
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.3cm (9.3" x 7.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The captivating frontispiece to Samuel Butler's "Hudibras" is a remarkable print by the renowned British artist and engraver, William Hogarth. Created in the 18th century, this satirical artwork offers a glimpse into the tumultuous times of the English Civil War. Depicting various factions involved in the conflict, including Roundheads, Puritans, and Presbyterians, Hogarth masterfully captures their distinctive characteristics and ideologies. The intricate details of each figure reveal their exaggerated traits and satirical commentary on society at that time. With his signature style, Hogarth brings life to this historical polemic through his exceptional skill in engraving. The composition is rich with symbolism and visual storytelling as it sets the stage for Butler's biting satire. This print from Bridgeman Images allows us to appreciate not only Hogarth's artistic genius but also provides an insight into one of England's most significant historical periods. It serves as a reminder of how art can be used as a powerful tool for social commentary and political critique. As we gaze upon this fascinating frontispiece, we are transported back in time to witness the complexities of war and ideology through an artist's discerning eye. It stands as a testament to both Hogarth's enduring legacy as well as our continued fascination with history and its portrayal in art.
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