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Second national industrial exhibition at Ueno Park, 1881 (woodblock print)
5672310 Second national industrial exhibition at Ueno Park, 1881 (woodblock print) by Utagawa Hiroshige III (1842-94); Private Collection; (add.info.: Left panel of triptych by the artist also known as Andō Tokubei set in the courtyard of the Tokyo Art Museum built by British Architect Josiah Conder (1852-1890) People in a mixture of traditional and western style attire stroll around the Shōjō Fountain (see also XOS 5895267 & 8))
Media ID 25158982
© Bridgeman Images
Courtyard East Eastern Europeans Foreign Foreigner Goldfish Japanese Print Tokyo Triptych Ukiyo E Ukiyoe Utagawa Visitors West Western Westernisation Yoko E Westernization
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.5cm x 23.7cm (6.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This woodblock print, titled "Second national industrial exhibition at Ueno Park, 1881" offers a glimpse into the dynamic cultural exchange between East and West during Japan's period of rapid modernization. Created by Utagawa Hiroshige III, this exquisite artwork showcases the bustling courtyard of the Tokyo Art Museum designed by British Architect Josiah Conder. The left panel of this triptych captures a vibrant scene where people from various walks of life mingle amidst the stunning Shōjō Fountain. The composition beautifully juxtaposes individuals dressed in both traditional Japanese attire and Western-style clothing, reflecting the ongoing westernization occurring in Japan at that time. As we delve deeper into this woodcut masterpiece, we are transported to an era where Eastern traditions harmoniously coexist with Western influences. The presence of European visitors adds an intriguing dimension to the narrative, highlighting the global curiosity surrounding Japan's industrial progress. Noteworthy details such as goldfish swimming gracefully in the fountain further enhance our appreciation for Hiroshige III's meticulous craftsmanship. This print serves as a testament to his mastery of ukiyo-e art—a genre renowned for capturing fleeting moments and evoking emotions. Through this remarkable artwork, we witness how Ueno Park becomes a melting pot of cultures—an emblematic symbol representing Japan's journey towards embracing modernity while cherishing its rich heritage.
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