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Mouse Mat : Hayes Common, 1852-53 (oil on canvas)

Hayes Common, 1852-53 (oil on canvas)




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Hayes Common, 1852-53 (oil on canvas)

XYC127226 Hayes Common, 1852-53 (oil on canvas) by Millais, William Henry (1828-99); 55.9x86 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12718789

© www.bridgemanart.com

Bracken Sunny Pre Raphaelite


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 16.2cm (9.3" x 6.4")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > William Henry Millais

> Fine Art Finder > Pre-raphaelites & Neo-classical


EDITORS COMMENTS
This print showcases "Hayes Common, 1852-53" by the renowned artist William Henry Millais. Painted in oil on canvas, this masterpiece measures 55.9x86 cm and is currently housed at the Yale Center for British Art as part of the esteemed Paul Mellon Collection in the USA. The scene depicted transports us back to a sunny Victorian summer day, where a child takes a leisurely walk through Hayes Common. The lush green park is adorned with vibrant bracken, creating an enchanting backdrop for this pre-Raphaelite artwork. Millais' attention to detail is evident in every brushstroke, capturing not only the beauty of nature but also evoking a sense of tranquility and innocence. The warm sunlight filtering through the trees casts gentle shadows on the path, adding depth and dimension to this idyllic setting. As we gaze upon this timeless piece, we are reminded of simpler times when strolling through parks was a cherished pastime. This photograph print allows us to appreciate Millais' artistic genius while immersing ourselves in an era long gone.

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