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Mouse Mat : Corner of High Street and Mary-le-Port Street (pencil & w / c on paper)
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Corner of High Street and Mary-le-Port Street (pencil & w / c on paper)
2832258 Corner of High Street and Mary-le-Port Street (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 23473984
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Bristol Jettied Mary Le Port Street Shop Fronts Shops Vernacular Regency
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.5cm x 23.7cm (6.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Corner of High Street and Mary-le-Port Street" by Hugh O'Neill takes us back in time to the bustling streets of Bristol, UK. The artist's use of pencil and watercolor on paper brings out the intricate details of this urban scene. In this picturesque corner, we are transported to a traditional English town with its charming architecture and wooden shop fronts. The jettied houses add character to the street scene, while the regency style buildings stand tall against a clear blue sky. It is evident that O'Neill has captured the essence of British vernacular architecture with great skill. The composition invites us to explore every nook and cranny, from the quaint shops lining Mary-le-Port Street to the vibrant activity happening on High Street. Each building tells a story, reflecting both history and modernity coexisting harmoniously. As we gaze upon this painting, it becomes apparent why it holds such historical significance. Preserved through time, it serves as a testament to Bristol's rich cultural heritage. This artwork was generously bequeathed by William Jerdone Braikenridge in 1908 and now resides at Bristol Museum and Art Gallery. O'Neill's meticulous attention to detail transports us into an era long gone but not forgotten—a moment frozen in time for all art enthusiasts to appreciate for generations to come.
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