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Mouse Mat : The Miracle of St. Eligius, predella panel from the Altarpiece of St. Mark, c
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The Miracle of St. Eligius, predella panel from the Altarpiece of St. Mark, c
SCP44331 The Miracle of St. Eligius, predella panel from the Altarpiece of St. Mark, c.1488-90 (tempera on panel) (see 44342, 44348 44333) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: patron of smiths and metal-workers; ); Italian, out of copyright
Media ID 23257512
© Bridgeman Images
Anvil Bishop Blacksmith Eloi Farrier Forgeron Furnace Goldsmith Pala Di San Marco
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 8.2cm (9.3" x 3.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Miracle of St. Eligius
EDITORS COMMENTS
is a captivating predella panel from the Altarpiece of St. Mark, created by the renowned Italian artist Sandro Botticelli in 1488-90. This exquisite tempera on panel print, now housed in the Galleria degli Uffizi in Florence, Tuscany, Italy, showcases Botticelli's mastery and attention to detail. The painting depicts St. Eligius, the patron saint of smiths and metal-workers, surrounded by various elements that symbolize his life and miracles. In this scene, we witness him as an evangelizer of Flanders while working at his blacksmith forge. The composition beautifully captures the essence of quattrocento Renaissance art with its meticulous rendering of every element. St. Eligius stands tall beside an anvil and furnace as he skillfully crafts a golden object with precision and expertise befitting a goldsmith bishop like himself. His presence exudes both power and grace as he commands attention amidst a backdrop filled with horses - majestic creatures synonymous with strength and vitality. Botticelli's use of color adds depth to this masterpiece; warm tones dominate the scene while subtle hints of cool blues accentuate certain areas for emphasis. The level of realism achieved through delicate brushstrokes is truly remarkable. "The Miracle of St. Eligius" not only showcases Botticelli's technical brilliance but also serves as a testament to his ability to capture religious narratives with profound beauty and emotion. It remains an
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