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Mouse Mat : Portrait of a Man in a Church, 1900 (w / c on paper)
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Portrait of a Man in a Church, 1900 (w / c on paper)
CH401828 Portrait of a Man in a Church, 1900 (w/c on paper) by Boldini, Giovanni (1842-1931); 44.7x44.7 cm; Private Collection; Photo eChristies Images; Italian, out of copyright
Media ID 23296222
© Christie's Images / Bridgeman Images
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "Portrait of a Man in a Church, 1900" by Giovanni Boldini, transports us to the serene atmosphere of a grand church. The image showcases an intimate moment captured within the sacred walls, as we see a man seated on a pew with his head resting gently in his hand. The composition is beautifully framed by the vibrant stained glass window behind him, casting colorful rays of light onto his profile. Boldini's masterful use of watercolor on paper brings out the subtle details and textures of this evocative portrait. The man's expression reveals deep contemplation and introspection, inviting us to wonder about the thoughts that occupy his mind in this hallowed space. His half-length figure exudes an air of mystery and solitude amidst the grandeur surrounding him. Through this artwork, Boldini skillfully captures both the physical presence and emotional state of his subject. The painting serves as a powerful reminder of our own moments spent seeking solace or reflection within places of worship. This remarkable piece from Bridgeman Images allows us to appreciate not only its artistic merit but also its ability to transport us into another time and place. It serves as a testament to Boldini's talent for capturing human emotion through portraiture while also celebrating the beauty found within religious spaces.
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