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The Devils Drawing Room (engraving)
7172195 The Devils Drawing Room (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Devils Drawing Room.); © Look and Learn
Media ID 24735704
© Look and Learn / Bridgeman Images
Demon Demons Devil Devils Satan
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 17.3cm (9.3" x 6.8")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Devil's Drawing Room - A Satirical Glimpse into 19th Century Politics and Religion
EDITORS COMMENTS
. This print showcases an intriguing engraving titled "The Devil's Drawing Room" by Isaac Cruikshank, a renowned British artist of the late 18th and early 19th centuries. The artwork, part of a private collection, offers a satirical commentary on the political and religious landscape of England during that time. In this black and white illustration, we are transported to a realm where demons and devils gather in what appears to be an otherworldly drawing room. With meticulous detail, Cruikshank captures the essence of each character as they engage in animated conversations about politics and religion. Through his clever use of caricature, humor, and comic elements, Cruikshank skillfully portrays politicians from various parties alongside religious figures engaged in heated debates. This piece serves as both social commentary and entertainment for viewers who can decipher its underlying messages. As we delve deeper into this historical artifact, it becomes evident that "The Devil's Drawing Room" is not just an amusing depiction but also a reflection of the tensions between power structures within society at that time. It invites us to ponder how politics intertwines with religion while shedding light on the complexities inherent in these realms. Overall, this engraving stands as a testament to Cruikshank's artistic prowess while offering valuable insights into the political climate of 19th century England. It serves as a reminder that satire has
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