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Mouse Mat : M. 1-1926 Triptych: the Lamentation, Daniel and St. Peter, painted in Limoges, France
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M. 1-1926 Triptych: the Lamentation, Daniel and St. Peter, painted in Limoges, France
FIT76505 M.1-1926 Triptych: the Lamentation, Daniel and St. Peter, painted in Limoges, France, 1538 (enamel on copper) by Raymond, Pierre (1513-84); 38.7x22.9 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright
Media ID 23371990
© Fitzwilliam Museum / Bridgeman Images
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 14.5cm (9.3" x 5.7")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite M. 1-1926 Triptych: the Lamentation, Daniel and St. Peter, painted in Limoges, France in 1538 by Raymond Pierre. The triptych is a true masterpiece that measures 38.7x22.9 cm and is currently housed at the prestigious Fitzwilliam Museum at the University of Cambridge in the United Kingdom. The triptych consists of three panels depicting different scenes from biblical narratives with incredible attention to detail and vibrant colors. The central panel portrays "The Lamentation" capturing an emotionally charged moment after Christ's crucifixion as his body is mourned over by Mary Magdalene and other figures. On either side of this poignant scene are two smaller panels featuring "Daniel" and "St. Peter". These panels depict these revered biblical figures with great skill, showcasing their individual characteristics through intricate enamel work on copper. Raymond Pierre's talent shines through every brushstroke, creating a harmonious composition that transports viewers back to 16th-century France. The use of enamel on copper adds a unique texture to the artwork, enhancing its visual impact. Thanks to Bridgeman Images' exceptional photography skills, this print allows art enthusiasts worldwide to appreciate this remarkable piece without having to visit the museum physically. Whether you are drawn to religious art or simply admire masterful craftsmanship, this print offers a glimpse into history while celebrating Raymond Pierre's artistic genius for generations to come.
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