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Mouse Mat : Ehon Suikoden (one page from book), 1829 (woodcut)
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Ehon Suikoden (one page from book), 1829 (woodcut)
8603839 Ehon Suikoden (one page from book), 1829 (woodcut) by Hokusai, Katsushika (1760-1849); 22 x 14 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: characters from the Water margin); Image © Ashmolean Museum, University of Oxford
Media ID 33094752
© © Ashmolean Museum, University of Oxford / Bridgeman Images
Edo Period 1603 1868 Hokusai 1760 1849 Samurai Three Persons Ukiyo E Fictional Character Several People
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This woodcut print, titled "Ehon Suikoden" transports us back to 19th century Japan during the Edo period. Created by the renowned artist Hokusai, this artwork measures 22 x 14 cm and is housed in the prestigious Ashmolean Museum at the University of Oxford. The image depicts a single page from a book, showcasing characters from the famous Water Margin novel. As we gaze upon it, we are drawn into a world of warriors and heroes, their armor gleaming in stark black and white contrast. The attention to detail is remarkable; every line etched into the woodcut brings these fictional characters to life. Intriguingly, one can spot three persons amidst several others within this scene. A bearded samurai stands prominently at its center, exuding strength and determination. Surrounding him are fellow warriors who share his valorous spirit. Hokusai's mastery of ukiyo-e art movement shines through in this piece as he captures not only the physicality but also the essence of these literary figures. Through his skillful brushwork, he immortalizes them on paper for generations to admire. As we contemplate this print, we cannot help but marvel at Hokusai's ability to convey such depth and emotion with simple black ink on white paper. It serves as a testament to his artistic genius and leaves us yearning for more glimpses into Japan's rich cultural heritage during that era.
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