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Grave effigies in St Saviours Southwark
6340427 Grave effigies in St Saviours Southwark by Smith, John Thomas (1766-1833); (add.info.: Grave effigies in St Saviours Southwark. Wooden figure of a Knight Templar and monument to Old Overie, father of Mary Overie, foundress of the Priory. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1795.); © Florilegius
Media ID 23737932
© Florilegius / Bridgeman Images
Antiquities Of London And Its Environs Cloister Folder Holy Shroud John Thomas Smith Knight Templar Member Monastery Original Drawing Priory Sewell Sheet Shroud Simco Smith Society Of Antiquaries Southwark Tombs Wooden Figure Foundress
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.7cm x 23.7cm (7.8" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Grave effigies in St Saviours Southwark - A Glimpse into History
EDITORS COMMENTS
. This photo print, captured by John Thomas Smith, takes us on a journey through time as we explore the intricate details of grave effigies in St Saviours Southwark. The image showcases a wooden figure of a Knight Templar and a monument dedicated to Old Overie, father of Mary Overie, the esteemed foundress of the Priory. Smith's copperplate engraving beautifully captures the essence of these historical artifacts, which were originally drawn by members of the Society of Antiquaries. As we delve deeper into this artwork, we are transported back to 18th-century London and its environs. The photograph not only highlights the architectural beauty but also provides insight into religious symbolism with biblical references scattered throughout. The presence of shrouds and sheets adds an air of mystery while reminding us that these tombs hold stories from generations past. As we admire this piece, it is impossible not to ponder upon the lives lived within these walls – families intertwined with history itself. The monastery and cloister stand as silent witnesses to centuries-old traditions and devotion. Let this remarkable print serve as a reminder that our present is built upon layers upon layers of history. It invites us to reflect on our own place within this grand tapestry and appreciate those who came before us.
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