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Mouse Mat : Ms 954 Pierre d Ailly (1350-1420) Bishop of Cambrai, before the Virgin
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Ms 954 Pierre d Ailly (1350-1420) Bishop of Cambrai, before the Virgin
XCM226005 Ms 954 Pierre d Ailly (1350-1420) Bishop of Cambrai, before the Virgin, from Oeuvres by Pierre d Ailly, c.1416 (vellum) by French School, (15th century); Bibliotheque Municipale, Cambrai, France; French, out of copyright
Media ID 23352308
© Bridgeman Images
Eveque Infant Christ Prelate Theologian
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 15.8cm (9.3" x 6.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable piece of medieval art, featuring Ms 954 Pierre d Ailly (1350-1420), the esteemed Bishop of Cambrai, in deep reverence before the Virgin Mary. The image is taken from Oeuvres by Pierre d Ailly, a manuscript dating back to around 1416. The vellum artwork was created by an anonymous French artist during the 15th century and is currently housed in the Bibliotheque Municipale in Cambrai, France. This exquisite illumination on vellum transports us back to a time when religious devotion and artistic expression were intricately intertwined. In this scene, we witness Bishop Pierre d Ailly kneeling humbly before the Virgin Mary. His coat of arms proudly displayed signifies his noble status as he seeks solace and guidance from the divine figure. The intricate details and delicate brushstrokes bring life to this gothic masterpiece. The presence of Infant Christ adds another layer of significance to this composition. It symbolizes purity and innocence while emphasizing Mary's role as both mother and intercessor between humanity and divinity. This illuminated manuscript not only pays homage to one of history's greatest theologians but also serves as a testament to the skillful craftsmanship prevalent during that era. Its timeless beauty continues to captivate viewers today, reminding us of our rich cultural heritage rooted in faith and artistry.
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