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Mouse Mat : Portrait of an Unknown Man, c. 1480-90 (oil on oak-wood)
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Portrait of an Unknown Man, c. 1480-90 (oil on oak-wood)
XIR900535 Portrait of an Unknown Man, c.1480-90 (oil on oak-wood) by Memling, Hans (c.1433-94); 35x25 cm; Galleria degli Uffizi, Florence, Italy; (add.info.: Portrait d inconnu (Folco Portinari ?)
); Netherlandish, out of copyright
Media ID 12945352
© www.bridgemanimages.com
Collar Flemish School Hands Clasped Ring Stern Unknown Portraiture
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 15.9cm x 23.7cm (6.3" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This portrait, titled "Portrait of an Unknown Man" is a stunning example of the mastery and skill of Flemish artist Hans Memling. Created between 1480-1490, this oil on oak-wood painting measures 35x25 cm and currently resides in the prestigious Galleria degli Uffizi in Florence, Italy. The identity of the subject remains a mystery to this day, adding an air of intrigue to this enigmatic artwork. The young man gazes off to the side with a stern expression, his piercing eyes capturing our attention. His three-quarter length pose allows us to appreciate every detail meticulously rendered by Memling's brush. Dressed in a fashionable hat and collar adorned with fur, the unknown man exudes elegance and sophistication. His hands are clasped together tightly, perhaps indicating inner turmoil or deep contemplation. A ring adorns one finger, hinting at his social status or personal significance. Memling's exceptional talent shines through in his ability to capture not only physical likeness but also convey emotion and personality within his subjects. This portrait serves as a testament to the enduring power of portraiture as an art form. As we admire this remarkable piece from the Flemish school during the 15th century, we are reminded that even though its origins may be shrouded in mystery, its beauty continues to captivate viewers centuries later.
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