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Mouse Mat : Cover of Le Grelot, 22/01/05 - Tout passe, tout casse! - Combes Emile (1835-1921), Marianne
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Cover of Le Grelot, 22/01/05 - Tout passe, tout casse! - Combes Emile (1835-1921), Marianne
ICA4938281 Cover of Le Grelot, 22/01/05 - Tout passe, tout casse! - Combes Emile (1835-1921), Marianne; (add.info.: Cover of Le Grelot, 22/01/05 - Tout passe, tout casse! - Combes Emile (1835-1921), Marianne); Photo © Caricadoc
Media ID 38159106
© © Caricadoc / Bridgeman Images
Encounter Expulsion Marianne Opposition A Journal Caricadoc
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.3cm x 23.7cm (7.6" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking print captures the cover of Le Grelot from January 22, 1905, featuring an allegorical engraving by Emile Combes (1835-1921) depicting Marianne. The title "Tout passe, tout casse!" translates to "Everything passes, everything breaks," hinting at the ephemeral nature of power and authority.
Emile Combes was a prominent French politician known for his role in the separation of church and state in France during the early 20th century. His caricature of Marianne, a symbol of the French Republic, is laden with political symbolism and commentary on the turbulent times in which he lived.
The image exudes a sense of urgency and opposition, reflecting the political climate of France during this period. Marianne's determined expression conveys strength and resilience in the face of adversity.
As an engraving featured on a journal cover, this artwork served as a powerful form of communication and propaganda. It aimed to provoke thought and spark debate among readers about pressing issues facing society at that time.
Overall, this print offers a glimpse into history through art, showcasing how visual imagery was used as a tool for social commentary and political expression in early 20th-century France.
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