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Mouse Mat : Allegory of Fortune, c. 1658-9 (oil on canvas)
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Allegory of Fortune, c. 1658-9 (oil on canvas)
3545818 Allegory of Fortune, c.1658-9 (oil on canvas) by Rosa, Salvator (1615-73); 200.7x133 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Fortune bestows wealth, status, and power on animals who neither need nor deserve them as they trample the attributes of art and learning. The cornucopia is overturned showing reckless extravagance. Draped in the red of the Catholic Church, an ass shields an owl, symbol of wisdom, from light. Bitter over his exclusion from papal patronage, Rosa satirized Pope Alexander VIIs nepotistism including personal references. The painting nearly sent him to prison when he exhibited it at the Pantheon.); Italian, out of copyright
Media ID 23640194
© Bridgeman Images
Bounty Cornucopia Extravagance Horn Palette Papacy Patronage Personification Personify Plenty Pope Alexander Vii Represent Representation Symbolism Waste Wisdom Wise Symbols
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.2cm x 23.7cm (6.4" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Salvator Rosa's "Allegory of Fortune" a thought-provoking masterpiece from the Baroque era. Measuring an impressive 200.7x133 cm, this oil on canvas painting is housed in the prestigious J. Paul Getty Museum in Los Angeles. Rosa skillfully personifies Fortune as she bestows wealth, status, and power upon undeserving animals who trample over symbols of art and learning. The overturned cornucopia symbolizes reckless extravagance, while an ass draped in red shields a wise owl from light—a subtle critique of Pope Alexander VII's nepotism. The controversial nature of this artwork nearly landed Rosa behind bars when he exhibited it at the Pantheon. Bitter over his exclusion from papal patronage, he cleverly incorporated personal references into his satirical representation. Through intricate symbolism and allegorical imagery, Rosa challenges societal norms and exposes the flaws within religious institutions. This painting serves as a powerful commentary on waste, excesses, and misplaced priorities prevalent during that time. With its rich colors and meticulous attention to detail, this piece invites viewers to contemplate themes such as wisdom, religion, patronage, and human folly. It is a testament to Rosa's artistic prowess that continues to captivate audiences centuries later.
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