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Mouse Mat : Presentation of the Virgin in the Temple, detail from the base of the Tabernacle
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Presentation of the Virgin in the Temple, detail from the base of the Tabernacle
LEE241022 Presentation of the Virgin in the Temple, detail from the base of the Tabernacle, 1349-59 (marble) by Orcagna, Andrea di Cione (c.1308-68); Orsanmichele Church and Museum, Florence, Tuscany, Italy; eDavid Lees Photography Archive; Italian, out of copyright
Media ID 22942138
© David Lees Photography Archive / Bridgeman Images
Anne Joachim Octagon Octagonal Steps Monks
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.5cm x 23.7cm (7.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a mesmerizing detail from the base of the Tabernacle - "Presentation of the Virgin in the Temple" by Andrea di Cione, also known as Orcagna. Created between 1349 and 1359, this marble relief is housed in the Orsanmichele Church and Museum in Florence, Italy. The intricate craftsmanship of this Gothic-Renaissance masterpiece is evident in every delicate curve and meticulous detail. The relief depicts an octagonal scene with steps leading up to a grand octagon where a child stands before priests and clergy. This momentous event portrays Anne and Joachim presenting their daughter, Mary, to be consecrated at the temple. Orcagna's skillful portrayal captures both religious devotion and human emotion. The figures are depicted with grace and reverence, showcasing their faith through gestures of prayer and contemplation. The presence of monks adds depth to the composition while emphasizing the importance of religious orders during that time. As you gaze upon this remarkable photograph captured by David Lees, you can't help but feel transported back to medieval Florence. It serves as a testament to both artistic excellence and spiritual significance within Renaissance art history.
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