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Mouse Mat : Hey, good. Never mind! we ll plead... I like it better
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Hey, good. Never mind! we ll plead... I like it better
LSE4403383 Hey, good. Never mind! we ll plead... I like it better!... cartoon by Honore Daumier (1808-1879). " Charivari". by Daumier, Honore (1808-79); Private Collection; (add.info.: Hey, good. Never mind! we ll plead... I like it better!... cartoon by Honore Daumier (1808-1879). " Charivari".); Photo eLeonard de Selva; French, out of copyright
Media ID 22301046
© Leonard de Selva / Bridgeman Images
1808 1879 Businessman Daumier Discussion Honore 1808 1879 Lawyer Trade
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Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a thought-provoking cartoon by the renowned French artist Honore Daumier. Titled "Hey, good. Never mind! we'll plead. . . I like it better!", this artwork was originally published in the satirical magazine "Charivari". In this intriguing scene, a group of businessmen engages in a lively discussion with a lawyer. The engraving beautifully depicts the complexities of human nature and the dynamics of French society during Daumier's time. The composition showcases Daumier's exceptional talent for capturing subtle expressions and gestures that convey deeper meanings. Each character seems to have their own agenda, as they engage in animated conversation while surrounded by stacks of papers symbolizing legal matters. Daumier's work often critiqued social and political issues, using satire to shed light on injustices or absurdities within society. This particular piece reflects his commentary on the legal profession and perhaps highlights how lawyers can manipulate arguments to suit their clients' interests. Leonard de Selva skillfully photographed this historic artwork from a private collection, preserving its intricate details for all art enthusiasts to appreciate. As an out-of-copyright image, it serves as a valuable glimpse into both Daumier's artistic genius and the socio-cultural context of 19th-century France.
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