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Mouse Mat : Devil playing bagpipe with a monks head - engraving, 1525
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Devil playing bagpipe with a monks head - engraving, 1525
LSE4078561 Devil playing bagpipe with a monks head - engraving, 1525 by Unknown Artist, (16th century); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Devil playing bagpipe with a monks head - engraving, 1525); Photo eLeonard de Selva; out of copyright
Media ID 22543136
© Leonard de Selva / Bridgeman Images
Anticlericalism Bagpipes Devil Christendom
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.8cm x 23.7cm (7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This intriguing print captures a fascinating engraving from 1525, depicting a devil playing the bagpipe with a monk's head. Created by an unknown artist during the 16th century, this piece is housed in the Bibliotheque des Arts Decoratifs in Paris, France. The image showcases the clash between religious and secular worlds, symbolized through the juxtaposition of the devil and clergy. The devil's mischievous expression as he skillfully plays the bagpipes adds an element of caricature to this thought-provoking artwork. It serves as a commentary on anticlericalism prevalent during that era. The choice of using a musical instrument like bagpipes further emphasizes how music can be both divine and profane simultaneously. It highlights how religious orders were not immune to criticism or parody within Christendom. Religion and its influence are central themes explored in this engraving. The monk's head being used as part of the bagpipe suggests subversion or perhaps even rebellion against established religious norms. Leonard de Selva beautifully captures this historical artifact through his photography, allowing us to appreciate its intricate details while contemplating its deeper meaning. As it falls under public domain, we have access to explore and interpret this work without any restrictions or limitations imposed by commercial use considerations.
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