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Mouse Mat : Cycle of the Life of the Virgin, Nativity, c. 1445 (oil on poplar panel) (b / w photo)
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Cycle of the Life of the Virgin, Nativity, c. 1445 (oil on poplar panel) (b / w photo)
XIR414539 Cycle of the Life of the Virgin, Nativity, c.1445 (oil on poplar panel) (b/w photo) by Giovanni Francesco da Rimini (c.1420-70); 59.3x29.8 cm; Louvre, Paris, France; (add.info.: 1282 b; Photo Giraudon 1927; formerly attributed to Venitian School, (15th century) to Gentile da Fabriano (school of) to the Master of the Scenes of the Life of the Virgin; part of an incomplete altarpiece of twelve scenes on the Virgin; ); Italian, out of copyright
Media ID 22674984
© Bridgeman Images
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 11.9cm x 23.7cm (4.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite artwork of Giovanni Francesco da Rimini, specifically his masterpiece titled "Cycle of the Life of the Virgin, Nativity". Created around 1445 using oil on poplar panel, this painting measures 59.3x29.8 cm and is currently housed in the Louvre Museum in Paris, France. The image captures a pivotal moment in Christian history - the birth of Jesus Christ. In this scene, we see Mary cradling her newborn baby while Joseph stands by her side with a look of awe and reverence. The presence of a nimbus or halo above their heads signifies their sacredness as saints. Giovanni Francesco da Rimini's attention to detail is evident in every brushstroke, bringing life to this biblical narrative. The delicate portrayal of Madonna's expression reflects both tenderness and serenity as she gazes upon her divine child. Originally attributed to various artists from Venetian School to Gentile da Fabriano's school, it was later associated with the Master of the Scenes of the Life of the Virgin due to its inclusion within an incomplete altarpiece featuring twelve scenes depicting moments from Mary's life. This remarkable piece serves as a testament to Italian Renaissance artistry and continues to captivate viewers with its timeless beauty. As we gaze upon this photograph print by Bridgeman Images, we are transported back in time to witness one of Christianity's most significant events unfold before our eyes.
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