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Mouse Mat : Bachelors Hall, The Meet, 1835 (oil on canvas)
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Bachelors Hall, The Meet, 1835 (oil on canvas)
XYC159645 Bachelors Hall, The Meet, 1835 (oil on canvas) by Turner, Francis Calcraft (1782-1846); 35.6x48.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; British, out of copyright
Media ID 12733483
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Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 17.9cm (9.3" x 7")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print captures the essence of Bachelors Hall, The Meet in 1835, as depicted by Francis Calcraft Turner. With meticulous brushstrokes on canvas, Turner transports us to a bygone era where horseback riding and countryside pursuits reigned supreme. In this scene, we are immersed in the heart of a hunt meeting. A group of riders donning elegant top hats and traditional hunting attire gather together with their magnificent horses. Their anticipation is palpable as they prepare for an exhilarating ride through the rural landscape. The artist's attention to detail is remarkable; every stroke brings life to the horses' muscular bodies and conveys their strength and grace. Amidst this equestrian symphony, one rider stands out - a lady confidently seated side saddle on her noble steed, defying societal norms with her daring spirit. Bachelors Hall becomes more than just a physical location; it represents camaraderie among kindred spirits who share a passion for adventure and horsemanship. As we gaze upon this masterpiece, we can almost feel the crisp country air against our faces and hear the thundering hooves echoing through rolling hills. Displayed proudly at Yale Center for British Art's Paul Mellon Collection in the USA, this painting serves as a timeless reminder of our connection to nature and tradition. It invites us to appreciate not only its artistic brilliance but also the rich heritage that lies within each brushstroke – an ode to those who have come before us in pursuit of freedom on horse
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