Mouse Mat : William Hearst, press journalist with sensation, represented as scarecrow in the mud

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William Hearst, press journalist with sensation, represented as scarecrow in the mud

XEE5027116 William Hearst, press journalist with sensation, represented as scarecrow in the mud - Caricature of Harpers Weekly 1906 (engraving) by French School, (20th century); Stefano Bianchetti; French, out of copyright

Media ID 23342182

© Stefano Bianchetti / Bridgeman Images

Journalist Leemage Scarecrow Whiteimages

Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
In this intriguing photo print, we are transported back to the early 20th century where William Hearst, a renowned press journalist with a flair for sensationalism, is depicted as a scarecrow stuck in the mud. The caricature, originally published in Harpers Weekly in 1906 and engraved by an anonymous French artist of the time, captures the essence of Hearst's controversial career. The image portrays Hearst as a symbol of both power and vulnerability. As he stands tall amidst the muck and filth, his exaggerated features highlight his influence over public opinion while also exposing him to criticism. The artist skillfully uses dark shading to create depth and contrast, emphasizing the weightiness of Hearst's role as a media figure. This artwork invites us to reflect on the complex nature of journalism during that era. It raises questions about how journalists like Hearst used their platforms to shape public discourse through sensationalism and manipulation. Furthermore, it serves as a reminder that even those who hold immense power can find themselves trapped or compromised by their own actions. Stefano Bianchetti's masterful reproduction brings this historical piece back to life for contemporary audiences. By preserving this snapshot from our past, we gain valuable insight into not only one man's journey but also into broader societal dynamics surrounding journalism at that time.

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