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Mouse Mat : Who Stole the Peoples Money?, from The New York Times
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Who Stole the Peoples Money?, from The New York Times
PNP284615 Who Stole the Peoples Money?, from The New York Times, 1871 (engraving) by Nast, Thomas (1840-1902); Private Collection; (add.info.: William Marcey Boss Tweed (1823-78) corrupt leader of the Tammany Society, the Democratic Party Political Machine; his fraud and stealing of public money; ); Peter Newark American Pictures; American, out of copyright
Media ID 22658866
© Peter Newark American Pictures / Bridgeman Images
American Politician Blame Boss Circle Corruption Fraudster Graft Grotesque Illegal Activity Policeman Political Satire Power Broker Scandal Tammany Hall
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.1cm (9.3" x 7.1")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this thought-provoking print titled "Who Stole the Peoples Money?" by Thomas Nast, we are transported back to 1871 and witness a powerful political satire that still resonates today. The engraving captures the essence of corruption and scandal surrounding William Marcey Boss Tweed, the infamous leader of Tammany Society and Democratic Party Political Machine. Nast's artistic brilliance is evident as he portrays Tweed as a grotesque figure, symbolizing his fraudulent activities and theft of public money. The image depicts a fat circle representing power brokers who shield Tweed from justice while blaming others for their illegal activities. It serves as a scathing commentary on American politics at that time. The cartoon-like caricature highlights the absurdity of corruption in government, with policemen depicted as mere pawns under Tweed's control. Through this satirical piece, Nast exposes the dark underbelly of Tammany Hall and sheds light on the rampant graft prevalent in America during that era. This print not only showcases Nast's incredible talent but also reminds us of our responsibility to hold those in power accountable for their actions. As we gaze upon this historical artifact, it prompts us to reflect on how far we have come in fighting against political fraudsters while serving as a stark reminder that vigilance is crucial to safeguarding democracy.
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