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Mouse Mat : Windsor, No. 2, 1887 (etching on paper)
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Windsor, No. 2, 1887 (etching on paper)
FSG324502 Windsor, No. 2, 1887 (etching on paper) by Whistler, James Abbott McNeill (1834-1903); 13.2x9.5 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; American, out of copyright
Media ID 22664298
© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.7cm x 23.7cm (7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This black and white etching, titled "Windsor, No. 2,1887" transports viewers back to the late 19th century. Created by the renowned artist James Abbott McNeill Whistler, this small yet powerful artwork measures just 13.2x9.5 cm and is housed in the prestigious Freer Gallery of Art at the Smithsonian Institution in the USA. Whistler's meticulous attention to detail is evident in every stroke of this engraving on paper. The scene depicts Windsor Castle standing majestically against a backdrop of serene River Thames waters. The artist masterfully captures both the grandeur of the castle's architecture and its harmonious integration with nature. The composition exudes a sense of tranquility as sunlight gently illuminates each intricate line etched onto paper. Whistler's use of light and shadow creates depth and dimensionality within this compact piece. Gifted to the museum by Charles Lang Freer, this artwork holds historical significance beyond its artistic value alone. Its presence within such esteemed cultural institutions ensures that it will continue to be appreciated for generations to come. As we gaze upon "Windsor, No. 2,1887" we are transported not only through time but also into an intimate connection with Whistler's vision and his ability to capture beauty in even the smallest format imaginable.
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